front cover of Heart of Darkness (demo!)
Heart of Darkness (demo!)
Written by one guy, with notes and a foreword by another person.
Midway Plaisance Press, 1555
This is where the marketing copy goes. This is where the marketing copy goes. This is where the marketing copy goes. This is where the marketing copy goes. End of first paragraph. This is where the marketing copy goes. This is where the marketing copy goes. This is where the marketing copy goes. This—is where the marketing copy goes. End of second paragraph.
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front cover of The Mirror of the Sea
The Mirror of the Sea
Joseph Conrad
Northwestern University Press, 1988
First published in 1906, The Mirror of the Sea was the first of Joseph Conrad's two autobiographical memoirs. Discussing it, he called the book "a very intimate revelation. . . . I have attempted here to lay bare with the unreserve of a last hour's confession the terms of my relation with the sea, which beginning mysteriously, like any great passion the inscrutable Gods send to mortals, went on unreasoning and invincible, surviving the test of disillusion, defying the disenchantment that lurks in every day of a strenuous life; went on full of love's delight and love's anguish, facing them in open-eyed exultation without bitterness and without repining, from the first hour to the last."
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front cover of A Personal Record
A Personal Record
Joseph Conrad
Northwestern University Press, 1982
Long unavailable, A Personal Record, the second of Conrad's autobiographical memoirs, originally appeared in 1912. These "reminiscent pages" retrace the author's East European origins, his years at sea, his passionate adoption of English, and the emergence of his career as one of the key figures in modern literature.
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front cover of Tales of an Eastern Port
Tales of an Eastern Port
The Singapore Novellas of Joseph Conrad
Joseph Conrad
National University of Singapore Press, 2023
Singapore in the writings of Joseph Conrad: a node in the networks of colonial modernity.

In the 1880s, Joseph Conrad spent three extended stints in the colonial port city of Singapore, while working on ships around the region. Over the next thirty years, he would return to this place many times in his writing. Singapore is the principal, if sometimes obscured, port of call in Conrad’s fiction; it is the center of overlapping networks, colonial and commercial, religious and literary. His characters travel to upriver Borneo and to Bangkok, to Shanghai and to Sydney, and yet they tend to return to Singapore. 

This volume pairs for the first time two Conrad novellas that start in Singapore: The End of the Tether and The Shadow-Line.Together they provide a fleeting portrait of the developing city, through narrators who are uneasy with the trappings and workings of the colonial enterprise. These stories have renewed relevance as part of global modernist and oceanic literatures, and reading them now helps recall one chapter in Singapore’s long history as a vital site of cultural exchange, one that harbors and inspires distinctive storytelling traditions.
 
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